The Arthur Olaf Andersen Manuscripts and Personal Papers
An inventory of holdings at the American Music Research Center
Benjamin Riggs, Cassandra Volpe
Descriptive summary
| Creator(s) |
|
| Title |
Arthur Olaf Andersen |
| Dates |
|
| Extent |
38 linear feet |
| Location |
Housed in the American Music Research Center |
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Scope and Contents
Manuscripts and personal papers of Arthur Olaf Andersen (1880-1958), music educator,
theorist, and composer, professor at the American Conservatory of Music (1908-1929),
Chicago Musical College (1929-1934) and University of Arizona, including manuscript
musical compositions, essays, articles, fictional writings, correspondence,
photographs, family memorabilia, and compositions by Andersen's wife, Helen
Somerville Andersen (1892-1968).
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Organization of the Collection
The collection is organized into the following series:
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Arrangement
Collection is arranged by musical works and genre, writings, personal papers,
oversize and pencil manuscripts.
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Index Terms
Access points related to this collection:
Personal names |
|
Corporate names |
|
Subject headings |
Andersen, Arthur Olaf, 1880-1958 --
Archives
Andersen, Arthur Olaf, 1880-1958 --
Correspondence
Andersen, Helen Somerville --
Archives
Composers -- United States --
Biography -- Sources
Deans (Education) -- Arizona --
Biography -- Sources
|
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Administrative Information
Preferred Citation |
[Identification of item], Arthur Olaf Andersen, University of Colorado, Boulder |
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Restrictions
Publication Rights |
All requests for permission to publish or quote from manuscripts must be submitted in
writing to the American Music Research Center. |
Access |
The collection is open for research. |
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Biographical Sketch of Arthur Olaf Andersen
Arthur Olaf Andersen was an American college music educator and administrator, music
theorist, and composer. He was Dean of the College of Fine Arts and Head of the
Department of Music Theory at the University of Arizona when he retired.
Dr. Andersen was born January 30, 1880, at Newport, Rhode Island. In1896, he
graduated from Newport High School and studied in Boston with Charles Martin
Loeffler. From 1899 to 1909 he studied in Europe with Alexander Guillmant, George
Guiraud and Vincent d’Indy at Paris; Hermann Durra at Berlin; and Giovanni Sgambati
at Rome.
In 1934, Andersen was awarded the honorary degree of Mus.D. by the American
Conservatory of Music in Chicago. From 1908 to 1929 he was a member of the faculty
and then head of the Theory Department at the American Conservatory of Music. From
1929 to 1934 he was a member of the faculty of the Chicago Musical College. He
joined the Music faculty of the University of Arizona in 1934 as Head of the Theory
Department and Dean of the College of Fine Arts until he retired in 1951. He died
Jan. 11, 1958.
Dr. Andersen has authored several music textbooks and composed more than 160 works.
He was married to Helen Somerville, composer and pianist, on July 12, 1947.
The collection consists of musical works for orchestra, chamber, solo instruments,
keyboard, musical theatre, TV skits, choral and vocal. There are also works by Helen
Somerville Andersen, music history and theory texts, personal papers, and original
pencil manuscripts.
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Detailed Description
Musical works
Orchestral works
Box 1
| 1 |
“Academic March” for Orchestra; two complete versions, one
copy each full score and instrumental parts. |
| 2 |
“Andantino” for Orchestra; one copy full score and one copy
piano score. |
| 3 |
“Arizona Scenes Suite No.1: 1. Poppies and Lupins, 2. The
Hermit and His Fiddle, 3. Blue Sky and Mountains, 4. Desert Trail”;
full score and instrumental parts. (Score) |
| 4 |
“Arizona Scenes Suite No.1: 1. Poppies and Lupins, 2. The
Hermit and His Fiddle, 3. Blue Sky and Mountains, 4. Desert Trail”;
full score and instrumental parts. (Parts) |
| 5 |
“Arizona Scenes Suite No.2: 1. The Canyon Cave, 2. Along Oak
Creek Canyon, 3. The Painted Desert, 4. The Bronze Walls”; one copy
each movement, full score. |
| 6 |
“Bear Down” March for Large Orchestra; one copy full
score. |
| 7 |
“Betrothal Suite: 1. Long, Long Ago, 2. Ripening Years, 3.
The Return, 4. The Betrothal” for String Orchestra and Solo French
Horn (Score) |
| 8 |
“Betrothal Suite: 1. Long, Long Ago, 2. Ripening Years, 3.
The Return, 4. The Betrothal” for String Orchestra and Solo French
Horn (Score) |
| 9 |
“Betrothal Suite: 1. Long, Long Ago, 2. Ripening Years, 3.
The Return, 4. The Betrothal” for String Orchestra and Solo French
Horn (Parts) |
Box 2
| 1 |
“Concert Overture”; one copy full score. |
| 2 |
“Dance of the Desert Folk”; one copy full score. |
| 3 |
“Dear Brats Suite” for String Orchestra; one copy full score
and instrumental parts. |
| 4 |
“Five Character Miniatures” for Orchestra; two copies full
score and instrumental parts; dated October 30, 1917,
Chicago. |
| 5 |
“Flickering Shadows”; one copy full score. |
| 6 |
“Indian Harvest Dance”; miniature instrumental parts
only. |
| 7 |
“Lesson in Technique: Dance Routine Pt. 1 and Pt. 2" for
Small Orchestra; Score |
| 8 |
“Lesson in Technique: Dance Routine Pt. 1 and Pt. 2" for
Small Orchestra; Parts |
| 9 |
“March” for Full Orchestra; one copy full score, dated 1908,
Berlin. |
| 10 |
“Mighty Like a Rose”(Nevin, arr. for orchestra by A.O.A.);
one pencil copy full score and incomplete instrumental
parts. |
| 11 |
“Overture to Chinese Ballet ‘Su Chee’”; score only,
unfinished. |
| 12 |
“Ostentation in the Form of a Passacaglia” for Large Symphony
Orchestra; one copy full score. |
| 13 |
“Soft Shoe Dance (Tap)” for Small Orchestra; one copy full
score and instrumental parts. |
| 14 |
“Starlit Desert, The” A Short Poem for Orchestra (transcribed
from piano solo); two copies full score and instrumental
parts. |
Box 3
| 1 |
“Symphony in F-sharp Minor: 1.Allegro moderato, 2. Andante,
allegro scherzo, andante, 3. Allegretto”; Score |
| 2 |
“Symphony in F-sharp Minor: 1.Allegro moderato, 2. Andante,
allegro scherzo, andante, 3. Allegretto”; Parts |
| 3 |
“Symphony No.2 in G Major”; one copy full score. |
| 4 |
“Theme and Variations” for Orchestra; one copy full score and
instrumental parts. |
| 5 |
“To a Wild Rose” (McDowell, arr. for orchestra by A.O.A.);
one pencil copy full score and instrumental parts. |
| 6 |
“White Clouds”; one copy full score. |
Box 27
| 7 |
Manuscript (Orchestral) Jazz Age Congey Dance, by Robert
McBride. |
| 8 |
Manuscript Score (Orchestral) A Roman Holiday An Impression
for Large Orchestra by Arthur Olaf Andersen. |
| 9 |
Manuscript Score (Orchestral) Whimsy for Large Orchestra by
Arthur Olaf Andersen. |
| 10 |
Manuscript Score (Orchestral) Land of Light Cantata for
Chorus – Band and Orchestra, text by Mary Onstott, music by Arthur
Olaf Andersen. |
Works for wind ensemble
Box 3
| 7 |
“Alma Mater March” for Band; one copy full score and two
copies piano score. |
| 8 |
“Alma Mater March” for Concert Band; one copy full score and
piano score, instrumental parts. |
| 9 |
“Arizona”; miniature band instrument parts only. |
| 10 |
“Baccalaureate March” for Band or Orchestra; piano score
only. |
| 11 |
“Cap and Gowns March” for Symphonic Band; one copy full
score, two copies piano score, instrumental parts. |
Box 4
| 1 |
“Cap and Gowns March No.2"; one copy full score, two copies
piano score, instrumental parts. |
| 2 |
“Joyous March” for Large Band; one copy full score, one copy
piano score, instrumental parts, and a letter from A.O.A.’s copyist
[original archived with other correspondence]. |
| 3 |
“March in F Major” for Band; one copy full score,
instrumental parts. |
| 4 |
“March of the Grads”; one copy full score and piano
score. |
| 5 |
“Marcha Solemnis” for Concert Band; two copies full score
[one in pencil], one copy piano score, instrumental
parts. |
| 6 |
“Marcha Arizonesis” for marching band; piano
score |
| 7 |
“Marcia Universitatis Arizonenses” for Band; piano score
only. |
| 8 |
“Out Arizona Way”; one copy full score and miniature band
instrument parts. |
| 9 |
“Processional Arizonensis” for Band; one copy full score,
piano score, instrumental parts. |
| 10 |
“Sammy”, a Marching Tune for Brass Band (Western/Andersen,
transcribed by Leo Sowerby); one copy full score. |
| 11 |
“Together March” for Band and Mixed Chorus; one copy full
score, piano score, vocal score, instrumental parts. |
| 12 |
“Tried and True” a graduate march for concert band; full
score and parts |
| 13 |
“Tuc Grads’ March” for Band; piano score only. |
Chamber works
Box 5
| 1 |
“[untitled]” string quartet, partial copy |
| 2 |
“All Hail Arizona!” (Monroe, arr. for strings by A.O.A.);
string parts only. |
| 3 |
“Fugue in C Major” for Two Violins; one copy
score. |
| 4 |
“Grand Ensemble Quartet” for Violins Quartet; incomplete
score and string parts. |
| 5 |
“Praeludium” for Strings; string parts only. |
| 6 |
“Quartet in F Major” for Strings; one copy score and string
parts. |
| 7 |
“Quartet in G Major” for Strings; one copy score and two each
string parts. |
| 8 |
“Remembrance” for Cello and Harp; one copy each
part. |
| 9 |
“Reverie” for String Quartet; score only. |
| 10 |
“Soft Night” for Cello and Harp; one copy each
part. |
| 11 |
“Songs Without Words: 2. Regrets, 4. Confidence, 6. Venetian
Gondola Song, 18. Duet, 27. Funeral March, 30. Spring Song”
(Mendelssohn, arr. for string ensemble by A.O.A.); one copy each
full score and incomplete string parts. |
| 12 |
“String Quartet in G Major, Op.104"; one copy score and
string parts. |
| 13 |
“String Quartet No.3 in D Major: Allegretto, Andantino,
Allegretto”; one copy each score and string parts. |
| 14 |
“String Quartet No.4 in C Major”; score only. |
| 15 |
“String Trio in G Major: Prelude”; one copy score and string
parts. |
| 16 |
“Trio in C Major No.2" for Strings; one copy score and string
parts. |
| 17 |
“Etude” for Brass; one copy score and parts: Trumpet, French
Horn, Baritone, and Trombone. |
| 18 |
“Melodie” for Brass; one copy score and parts: Trumpet,
French Horn, Trombone, and Tuba. |
| 19 |
“Melody” for Woodwinds and Horns; one copy score and parts:
Clarinet I/II, Horns I/II, and Bassoon. |
Box 6
| 1 |
“Nocturne, A” for Brass; one copy score and parts: Trumpet,
French Horn, Trombone, and Tuba. |
| 2 |
“Quartet in E-flat Major” for Flute and Strings; one copy
score and instrumental parts. |
| 3 |
“Quartet” for Woodwinds; one copy score and wind
parts. |
| 4 |
“Serenade” for Brass; score only. |
| 5 |
“Sonatina” for Oboe, Clarinets I/II, and Bassoon; one copy
score and instrumental parts. |
| 6 |
“Tune in B-flat” for brass; score and parts |
| 7 |
“Beautiful Dreamer” (Foster, arr. for Strings and Piano by
A.O.A.); score and parts, two full copies. |
| 8 |
“Bells of St. Mary’s” (Adams, arr. for Strings and Piano by
A.O.A.); score and parts, one copy plus copy of Adams’ original
music. |
| 9 |
“Canon” Trio for Flute, b-flat Clarinet, and Piano; one copy
score and parts. |
| 10 |
“Dance” Trio for Flute, b-flat Clarinet, and Piano; one copy
score and parts. |
| 11 |
“Greensleeves” (traditional, arr. for Strings and Piano by
A.O.A.); score only. |
| 12 |
“Humoreske” (Dvorak, arr. for Strings and Piano by A.O.A.);
one copy score and parts. |
| 13 |
“Intermezzo” (Mascagni, arr. for Strings and Piano by
A.O.A.); one copy score and parts. |
| 14 |
“Jeanie with the Light Brown Hair” (Foster, arr. for Strings
and Piano by A.O.A.); one copy score and parts. |
| 15 |
“Largo (from Xerxes)” (Handel, arr. for Strings and Piano by
A.O.A.); one copy score and parts. |
| 16 |
“Lass with the Delicate Air, The” (Arne, arr. for Strings
and Piano by A.O.A.); score and parts. |
| 17 |
“Londonderry Air” (traditional, arr. for Strings and Piano by
A.O.A); one copy score and parts. |
| 18 |
“March, Guys, March” for String Ensemble and Piano;
instrumental parts only. |
| 19 |
“March Heroic” for String Ensemble and Piano; instrumental
parts only. |
| 20 |
“Melody in F” for Strings and Piano; instrumental parts
only. |
| 21 |
“Melody Scandinavian” for Strings and Piano; instrumental
parts only. |
| 22 |
“Moment Musical” (Schubert, arr. for Strings and Piano by
A.O.A.); one copy score and parts. |
| 23 |
“Orientale” (Cui, arr. for Strings and Piano by A.O.A.); one
copy score and parts. |
| 24 |
“Reverie” for Flute, b-flat Clarinet, and Piano; one copy
score and parts. |
| 25 |
“Salut d’Amour” (Elgar, arr. for Strings and Piano by
A.O.A.); one copy score and parts. |
| 26 |
“Trio in D Minor: Allegro, Allegretto, Andante” for Violin,
Cello, and Piano; one copy score and parts. |
| 27 |
“Twilight Minuet” for Strings and Piano; instrumental parts
only. |
Solo instrumental works
Box 7
| 1 |
“Andante in F Major” for Cello; score and part. |
| 2 |
“Autumn Day, An” for Violin and Piano; score
only. |
| 3 |
“Bagatelle” for Cello and Piano; score only. |
| 4 |
“Bit of Comedy, A” for Flute and Piano; score and
part. |
| 5 |
“Bit of Twelve-Eight, A” for Violin and Piano; score and
part. |
| 6 |
“Canyon View” for Violin and Piano; score and
part. |
| 7 |
“Etude” for B-flat Clarinet and Piano; score and
part. |
| 8 |
“Etude in C Major” for Violin and Piano; score
only. |
| 9 |
“Etude in D Major” for Cello and Piano; cello part
only. |
| 10 |
“Etude in E-flat Major” for Piccolo and Piano; score and
part. |
| 11 |
“Etude in F Major” for Piccolo and Piano; score and
part. |
| 12 |
“Etude in G Major” for Violin and Piano; score and
part. |
| 13 |
“Etude in G Minor” for Tuba and Piano; score and
part. |
| 14 |
“Fiddling Tunes” for Violin in First Position and
Piano:
- “Cheerful Vista”; score and part.
- “Inchin’ Along”; score and part.
- “Jack and Jill”; score only.
- “The Sad Story”; score only.
- “Skipping Around”; score and part.
- “Cheerio”; score and part.
|
| 15 |
“Five Fragments” for Violin and Piano; score
only. |
| 16 |
“Glad Tune” for B-flat Cornet (Trumpet) and Piano; ( 1956
Carl Fischer, NY. |
| 17 |
“In Languid Mood” for Violin and Piano; score and
part. |
| 18 |
“Interlude” for Violin and Piano; two copies score and
part. |
| 19 |
“Jasper Waltz” for Cello and Piano; score and
part. |
| 20 |
“Meditation” for Violin and Piano; score and
part. |
| 21 |
“Melody in G Major” for Violin and Piano; score and
part. |
| 22 |
“Mood Exotic” for Violin and Piano; two copies score and
part. |
| 23 |
“Mood Whimsy, A” for Violin and Piano; two copies score and
part. |
| 24 |
“Museings [sic]” for Violin and Piano; score and
part. |
| 25 |
“Nocturne” for French Horn and Piano; ( 1956 Carl Fischer,
NY. |
| 26 |
“Pastoral” for Oboe and Piano; score and part. |
| 27 |
“Piece” for E-flat Alto Saxophone and Piano; score and
part. |
| 28 |
“Poem” for E-flat Alto Saxophone and Piano; score and
part. |
| 29 |
“Reverie” for English Horn and Piano; score and
part. |
| 30 |
“Reverie” for Viola and Piano; score and part. |
| 31 |
“Short Pieces” for B-flat Clarinet and Piano; score and
part.
- Carefree
- Dance Mood
- Long Ago
- Rondino
|
| 32 |
“Sketch” for Bassoon and Piano; score and part. |
| 33 |
“Small Piece” for Violin and Piano; score only, dated May
1908, Berlin. |
| 34 |
“Small Pieces” for Violincello and Piano; score only, dated
October 1913, Chicago. |
| 35 |
“Song in F Major” for Cello and Piano; score and
part. |
| 36 |
“Song Melody” for Violin and Piano; score only. |
| 37 |
“Songs Without Words” (Mendelssohn, arr. for French Horn and
Piano by A.O.A.); score and part. |
| 38 |
“Spring on the Desert” for Violin and Piano; score and
part. |
| 39 |
“Suite” for Flute and Piano in Four Movements; score and
part. |
| 40 |
“Suite” for Violin Alone; two copies. |
| 41 |
“Suite” for Violin and Piano; violin part only. |
| 42 |
“Sunset Vista” for Violin and Piano; score and
part. |
| 43 |
“Tune in C Major” for Cello and Piano; score and
part. |
| 44 |
“Two Free Fancies” for Cello and Piano; score and
part. |
Keyboard works
Box 8
| 1 |
Allegro Moderato for Piano. |
| 2 |
Andante in D-flat Major for Piano; two copies. |
| 3 |
Andantino and Rondo in Sonatina Form for Piano; damaged and
taped copy. |
| 4 |
Anniversary Music for Piano. |
| 5 |
Autumn Day, An for Piano. |
| 6 |
Bagatelle in A-flat Major for Piano; two copies, inscribed to
Julia Rebeil. |
| 7 |
Bagatelle No.1-4 for Piano; one copy each. |
| 8 |
Birthday Message, A for Piano. |
| 9 |
Blue Morning Glories for Piano; two copies. |
| 10 |
Boquet [sic] of Holidays for Piano:
- Christmas Eve
- New Year’s Day
- Lincoln’s Birthday
- Arbor Day
- Independence Day
- Washington’s Birthday
- May Day
- Christmas Day
- Thanksgiving Day
- St. Patrick’s Day
|
| 11 |
Boquet [sic] of Holidays for Piano:
- Thanksgiving Day
- Christmas Eve Lullaby
|
| 13 |
Christmas Bells; Christmas Morning; Christmas Merriment;
Christmas Prayer for Piano; inscribed to Helen, 1957. |
| 14 |
Christmas Music for Piano; 1951 (includes second piece of
same title by Helen S. Andersen). |
| 15 |
Christmas Prelude for Piano; inscribed for Helen,
1956. |
| 16 |
Cocker Suite for Piano:
- No.3, Sleepy Time
- No.2, Folicing [sic] Puppies
- No.1, Contended Mama
- no.4, Proud Papa Cocker.
|
| 17 |
Contrasts for Piano; ( 1948 A.O.A., one manuscript copy and
one published copy (Arizona Music Shop, Tuscon, AR). |
| 18 |
Crab, for Piano; two copies. |
| 19 |
Dancing Tune for Piano. |
| 21 |
Dahlia Waltz for Piano. |
| 22 |
Desert Haze for Piano; three copies. |
| 23 |
Desert Twilight for Piano solo. |
| 24 |
Discourse in C-sharp Minor, A for Piano; ( 1948
A.O.A. |
| 26 |
Drum and Fife for Piano; ( 1948 A.O.A., three manuscript
copies and one published copy (Arizona Music Shop, Tuscon,
AR). |
| 27 |
Easy Rhythmic Piano Pieces for the Music Teacher to Play in
Coordinating Music and Action for Schoolroom Use; two copies (the
latter entitled Rhythm in Action…):
- Gallop
- Run
- Sleepy
- Parade March
- Mysterious
- Toy March
- Skip
- Processional March
- Hunting Song
|
| 28 |
Eerie Clouds for Piano. |
| 29 |
Esther Waltz for Piano; ( 1948 A.O.A. |
| 30 |
Feeling Blue Waltz; Midnight Waltz; Waltz in B-flat; Dahlia
Waltz; Greenbriar Waltz; An Autumn Waltz; Sunbeam Waltz for
Piano. |
| 31 |
Feelin’ Kinder Blue for Piano. |
| 32 |
Felicity for Piano; inscribed to my wife Helen, April 3,
1957. |
| 33 |
Five Medium Grade Piano Numbers:
- A Lovely Day
- Busy Mary
- Dancing
- The Wild Rose
- Waltzing.
|
| 34 |
Five Shorties for Piano. |
| 35 |
For Helen’s Birthday for Piano; inscribed April 3,
1953. |
| 36 |
Going to School; Recess Time for Piano |
| 37 |
Grandma’s Story; By the Old Mill for Piano. |
| 38 |
Happy Birthday for Piano. |
| 39 |
Happy Gnomes for Piano. |
| 41 |
Humoresk [sic] for Piano. |
| 42 |
Improvisation for Piano. |
| 43 |
In Languid Mood for Piano; inscribed to the
Duchess. |
| 44 |
In Our Garden for Piano. |
| 45 |
Introspection for Piano. |
| 46 |
Johnny Jumpups for Piano solo; two copies. |
Box 9
| 1 |
Largo in B-flat for Piano. |
| 3 |
Little Sentiment, A for Piano; ( 1948 A.O.A., one manuscript
copy and one published copy (Arizona Music Shop, Tuscon,
AR). |
| 4 |
Little Thought in G Major for Piano. |
| 5 |
Marking Time; Minuet for Piano. |
| 6 |
Meadow Lark; Dreaming; Coming Back Home; In Church for
Piano. |
| 7 |
Meditation for Piano solo. |
| 9 |
Midnight Waltz for Piano. |
| 10 |
Moment Musicale for Piano; ( 1948 A.O.A., three manuscript
copies and one published copy (Arizona Music Shop, Tuscon,
AR). |
| 12 |
Mother’s Day Music; two copies, inscribed for Helen, May 11,
1952. |
| 13 |
Mother’s Day Music for Piano; May 9, 1955. |
| 14 |
Mountain Trail, The for Piano; one published copy, ( 1945
McKinley Publishers, Inc., Chicago. |
| 15 |
Mountains in Moonlight for Piano; two copies. |
| 16 |
Music for Mother’s Day for Piano; 1951. |
| 17 |
New Year’s Music for Helen; January 1, 1953. |
| 18 |
New Year’s Music for Piano; 1955. |
| 19 |
New Year’s Piece for Helen, A; January 1, 1953. |
| 20 |
Pansies a Song for Piano. |
| 21 |
Passacaglia for Organ. |
| 22 |
Petunias at Del Monte for Piano. |
| 23 |
Playful Pups; How Glad I Am; Waltzing Leaves; The Glistening
Fountain for Piano. |
| 24 |
Prelude in A Major for Piano. |
| 25 |
Prelude in B-flat Major for Piano; ( 1948 A.O.A., one
manuscript copy and one published copy (Arizona Music Shop, Tuscon,
AR). |
| 26 |
Prelude in D Major for Piano; ( 1948 A.O.A., one manuscript
copy and one published copy (Arizona Music Shop, Tuscon,
AR). |
| 27 |
Prelude in F-sharp Minor for Piano; ( 1948 A.O.A., three
copies. |
| 28 |
Prelude in G Major for Piano; ( 1948 A.O.A., two
copies. |
| 29 |
Reverie for Piano; ( 1948 A.O.A. |
| 30 |
Rocks at Pebble Beach for Piano. |
| 31 |
Roses Red for Piano; two copies. |
| 32 |
Rural Dance, A for Piano. |
| 34 |
Seven Fragments for Piano. |
| 35 |
Six Little Pieces for Piano
- Walking Sedately
- Being Serious
- Dancing Along
- Moody
- The Narrative
- Joyful.
|
| 36 |
Sonatina in C Major for Piano. |
| 37 |
Sonatina in C for Pianoforte; February 1908,
Berlin. |
| 38 |
Spring Day, A for Piano; two copies. |
| 39 |
Starlit Desert, The for Piano; ( 1944 McKinley Publishers,
Inc., Chicago; two manuscript copies and one published
copy. |
| 40 |
Stray Leaflet, A for Piano; two copies. |
| 41 |
Summer Day, A for Piano. |
| 42 |
Sunlight and Shadow for Piano. |
| 43 |
Sunset at Del Monte for Piano. |
| 44 |
Sweet Lavender for Piano; inscribed Mother’s Day,
1953. |
| 45 |
Ten Variations on a Danish Folks-Theme for Pianoforte; May
1908, Berlin. |
| 46 |
Thoughtful Mood for Piano solo. |
| 47 |
Topsy Turvy for Piano; ( 1948 A.O.A., two manuscript copy and
one published copy (Arizona Music Shop, Tuscon, AR). |
| 48 |
Two Moods for Piano; ( 1948 A.O.A., one manuscript copy and
one published copy (Arizona Music Shop, Tuscon, AR). |
| 49 |
Valse Moderne for Piano; ( 1948 A.O.A. |
| 50 |
Valse Romantique for Piano. |
| 51 |
Waterlillies a Piece for Piano. |
| 52 |
White Clouds for Piano; ( 1945 McKinley Publishers, Inc.,
Chicago; one manuscript copy and one published copy. |
| 53 |
Winter Day, A for Piano. |
Works for musical theatre
Box 10
| 1 |
Alborado a light opera; book. |
| 2 |
Alborado: a light opera; piano/vocal score |
| 3 |
All in a Day Play in One Act; piano/vocal score and
book. |
| 4 |
Arizona Hi-Ho Operetta; choral score |
| 5 |
Arizona Hi-Ho Operetta; book, piano vocal score, piano
parts |
Box 11
| 1 |
Arizona Hi-Ho Operetta; piccolo part |
| 2 |
Arizona Hi-Ho Operetta; flute part |
| 3 |
Arizona Hi-Ho Operetta; oboe part |
| 4 |
Arizona Hi-Ho Operetta; clarinet I part |
| 5 |
Arizona Hi-Ho Operetta; clarinet II part |
| 6 |
Arizona Hi-Ho Operetta; bassoon part |
| 7 |
Arizona Hi-Ho Operetta; horn part |
| 8 |
Arizona Hi-Ho Operetta; trumpet I part |
| 9 |
Arizona Hi-Ho Operetta; trumpet II part |
| 10 |
Arizona Hi-Ho Operetta; trombone part |
| 11 |
Arizona Hi-Ho Operetta; timpani part |
| 12 |
Arizona Hi-Ho Operetta; percussion part |
| 13 |
Arizona Hi-Ho Operetta; violin I part |
| 14 |
Arizona Hi-Ho Operetta; violin II part |
| 15 |
Arizona Hi-Ho Operetta; viola part |
| 16 |
Arizona Hi-Ho Operetta; violoncello part |
| 17 |
Arizona Hi-Ho Operetta; bass part |
Box 12
| 1 |
Betting Man, The Operetta in One Act; full score |
| 2 |
Betting Man, The Operetta in One Act; instrumental
parts. |
| 3 |
Betting Man, The Operetta in One Act; book |
| 4 |
Birthmark, The Musical Play; piano/vocal score and
book. |
| 5 |
Candle in the Window, The Musical Play; piano/vocal score and
book. |
| 6 |
Holiday Maze Musical Play; piano/vocal score and
book. |
| 7 |
Jolly Plumber, The Opera in One Act; full orchestral
score |
| 8 |
Jolly Plumber, The Opera in One Act; piano/vocal
score |
Box 13
| 1 |
Middletown Madness Opera in One Act; piano/vocal score and
two copies of book. |
| 2 |
Mr. Dean’s Pride Musical Play; piano/vocal score and
book. |
| 3 |
Out Arizona Way Operetta in Two Acts; Act Two full orchestral
score only. |
| 4 |
Plain American Girl, A Operetta; piano/vocal score and
book. |
| 5 |
Pittsfield Queens Opera in One Act; piano/vocal score and
book. |
| 6 |
Virginia Romance, A Operetta in Two Acts; piano/vocal score
& book (by AOA), July 30,1924. |
| 7 |
When Dreams Come True Operetta in Two Acts; piano/vocal score
and two versions of book (by A.O.A.) |
Box 14
| 1 |
The Roaming Minstrel in Alabama; play and three
songs. |
| 2 |
The Roaming Minstrel in Arizona; play and four
songs. |
| 3 |
The Roaming Minstrel in Indiana; play and two
songs. |
| 4 |
The Roaming Minstrel in Minnesota; play and four
songs. |
| 5 |
The Roaming Minstrel in Oregon; play and three
songs. |
| 6 |
The Roaming Minstrel in Wisconsin; play and three
songs. |
| 7 |
The Roaming Minstrel in Wyoming; play and two
songs. |
| 8 |
Jade Bracelet by Fairfax Proudfit Walkup; full score, piano
scores, instrumental parts character sketches and two versions of
the play. |
| 9 |
80 Across Saguaro-land for TBB, Baritone solo, and Orchestra;
full orchestral score and piano score. |
| 10 |
Books (from Arizona Hi-Ho) for SATB and Orchestra; full
orchestral score, piano score, vocal score, and instrumental
parts. |
| 11 |
Chicago: A Musical Setting of Carl Sandburg’s Poem for SATB
and Orchestra; full orchestral score, piano score, and vocal
score. |
| 12 |
Chorus of Promise for SATB and Orchestra; full orchestral
score only. |
| 13 |
Creed of Freedom, A for SATB, Baritone solo, and Orchestra;
full orchestral score, piano score, vocal score, and instrumental
parts. |
Box 15
| 1 |
Gila, The Cantata for Solo Voices, SATB Chorus, and
Orchestra; full orchestral score and piano score. |
| 2 |
Golden Treasure, The Cantata for Children’s Chorus SA, Mixed
Chorus SATB, solos and duets, and Orchestra; full orchestra score,
piano score, vocal score, book, and violin I/II parts. |
| 3 |
Land of Light Cantata for Mixed Chorus, Male Chorus, Band,
Orchestra, Baritone and Soprano solo; two vocal scores and
instrumental parts. |
| 4 |
Noah for SATB and Orchestra; full orchestral score
(unfinished). |
| 5 |
Norge Cantata for Soprano, Mixed Chorus, and Orchestra; full
orchestral score and piano score. |
| 6 |
Out Arizona Way for SATB and Orchestra; full orchestral score
only. |
Choral works
Box 16
| 1 |
Absence Makes the Heart Grow Fonder (Guillespie/Dillea, arr.
for SATB by A.O.A.) |
| 2 |
Airplane Trip, The for SAB |
| 3 |
All God’s Chillun Got Wings spiritual arr. for
SATB |
| 4 |
America To Her Soldiers for SATB |
| 5 |
Arizona (The Arizona State Anthem) (Clifford/Blumenthal, arr.
for SATB by A.O.A.) |
| 6 |
Arizona Mine (from Arizona Hi-Ho) for SATB |
| 7 |
At Parting (Peterson/Rogers, arr. for SATB by A.O.A.); A Bird
in a Gilded Gage (Lamb/von Tilser, arr. for SATB by
A.O.A.) |
| 8 |
Beautiful Garden of Roses (Dempsey/Schmid, arr. for SATB by
A.O.A.) |
| 9 |
Ben Bolt (Dunn/Kneass, arr. for SATB by A.O.A.) |
| 10 |
Benedictus es domine in B-flat Major for SATB |
| 11 |
Benedictus es domine in F Major for SATB |
| 13 |
Bless the Lord, O My Soul for Contralto and SATB; two
copies. |
| 14 |
Blessed America! for SATB; one copy vocal score and one copy
piano score. |
| 15 |
Bloom Is on the Rye, The (Bishop, arr. for SATB by
A.O.A.) |
| 16 |
Boll Weevil, The (Texas folk song, arr. for SAB by
A.O.A.) |
| 17 |
Brave Uhlan, The (Polish folk song, arr. for SATB by
A.O.A.) |
| 18 |
Bridge, The (Longfellow/Lindsay, arr. for SATB by
A.O.A.) |
| 19 |
British Grenadiers (old English army song, arr. for SATB by
A.O.A.) |
| 20 |
Brook, The for SAATBB; two copies. |
| 22 |
By the Waters of Babylon for SATB with Alto and Tenor
solos |
| 23 |
Calm as the Night (Bohm, arr. for SATB by A.O.A.) |
| 24 |
Calm as the Night (Götze, arr. for SATB by
A.O.A.) |
| 25 |
Campbells Are Coming, The (old Scotch song, arr. for SATB by
A.O.A.) |
| 26 |
Christ Is Risen for Baritone Solo and SATB; three copies (two
different keys). |
| 27 |
Christ Is Risen for Bass Solo and SATB; February 10,
1917. |
| 28 |
Church Bells of Navgorod (Russian folksong, arr. for SATB by
A.O.A.) |
| 29 |
Communion Service for SATB; two copies:
- Sursum corda
- Gloria tibi
- Gratias tibi
- Gloria in excelsis
- Sanctus
- Agnus dei
- Three-fold Kyrie
|
| 30 |
Cork Leg, The (folksong, arr. for SATB by A.O.A.) |
| 31 |
Cradle Song (Rexford/Vannah, arr. for SATB by
A.O.A.) |
| 32 |
Croquet (Webb/Thomas, arr. for SATB by A.O.A.) |
| 33 |
Cuckoo, The (Smith, arr. for SATB by A.O.A.) |
| 34 |
Dabbling in the Dew (traditional English folksong, arr. for
SATB by A.O.A.) |
| 35 |
Darling, Believe (Giordani, arr. for SAB by
A.O.A.) |
| 36 |
Dedication for SATB; individual vocal parts
included. |
| 37 |
Douglas (Scott, arr. for SATB by A.O.A.) |
| 38 |
Dreaming Child (Brahms, arr. for SATB by A.O.A.) |
| 39 |
Each Raindrop Shared for SATB |
| 40 |
Earth Is the Lord’s, The for SATB, Male Chorus, and Female
Chorus; two copies. |
| 41 |
Epistle for SATB; text by Carl Sandburg. |
| 42 |
Four Choral Responses; One Solo Response (Alto) for
SATB |
| 43 |
Funiculi-Funicula (Denza, arr. for SATB by
A.O.A.) |
| 44 |
Get Along: Arizona Pep Song for SATB (in Songs of the
University of Arizona collection) |
| 45 |
Gingerbread Boy, The (Norwegian folksong, arr. for SATB by
A.O.A.) |
| 46 |
Gloria in excelsis deo! for SATB and solo |
| 47 |
God Be Merciful unto Us for SATB; individual vocal parts
included. |
| 48 |
God Be with You (Rankin/Tomer, arr. for SATB by
A.O.A.) |
| 50 |
Great Is the Lord: Fugue for Mixed Voices for
SATB |
| 51 |
Green Bushes (traditional English folksong, arr. for SATB by
A.O.A.) |
| 52 |
Hanukkah (Festival of Lights) (old Yiddish folksong, arr. for
SATB by A.O.A.) |
| 53 |
Happy New Year (French-Canadian folksong, arr. for SAB by
A.O.A.) |
| 54 |
Here We Come A-Wassailing (old English folksong, arr. for
SATB by A.O.A.) |
| 55 |
Holiday Songs: 12 SAB Choruses |
| 56 |
Home, Sweet Home (Payne, arr. for SATB by A.O.A.) |
| 57 |
If We Had Everything We Wished for SATB; three
copies. |
| 58 |
If You, My Love for SATB; two copies. |
| 60 |
In the Garden of My Heart (Roma/Ball, arr. for SATB by
A.O.A.) |
| 61 |
In the Gloaming (Orred/Harrison, arr. for SATB by
A.O.A.) |
| 62 |
In the Good Old Summer-Time (Evans, arr. for SATB by
A.O.A.) |
| 63 |
In the Moonlight Clear (Lully, arr. for SATB by
A.O.A.) |
| 64 |
Indian Summer for SATB |
| 66 |
Jazz Fantasia for SATB; text by Carl Sandburg. |
| 67 |
Joshua Make de Sun Stan’ Still (Morey, arr. for SATB by
A.O.A.) |
Box 17
| 1 |
Lark in the Morn, The (English folksong, arr. for SATB by
A.O.A.) |
| 2 |
Let All Give Thanks to God (Bach, arr. for SATB by
A.O.A.) |
| 3 |
Let’s Sing a Song for SAB; collection of songs arr. by
A.O.A., ( 1957 Carl Fischer, Inc., NY. |
| 5 |
Litany, The: Ferial for SATB |
| 6 |
Lord Has Done Great Things, The for SATB; two copies, many
differing versions. |
| 7 |
Lord, Hear My Voice for SATB; two vocal scores, one piano
score. |
| 8 |
Lord Is My Shepherd, The (Bach, arr. for SATB by
A.O.A.) |
| 9 |
Marching Down the Avenue for SB |
| 10 |
Mary Had a Billy Goat (American folksong, arr. for SATB by
A.O.A.) |
| 11 |
Massa’s in de Cold Ground (Foster, arr. for SATB by A.O.A.);
two copies. |
| 12 |
May Carol, A for SATB; June 1917. |
| 13 |
Missa lauda sion: Gloria; Missa sine nomine: Credo; Missa
brevis: Agnus dei, Crucifixus (Palestrina, arr. for SATB by
A.O.A.) |
| 14 |
Music of the Open Air, The for SATB |
| 15 |
My Old Kentucky Home (Foster, arr. for SATB by
A.O.A.) |
| 16 |
My Sunshine (O sole mio) (D’Capua, arr. for SATB by
A.O.A.) |
| 17 |
O Blest Are They (Tchaikovsky, arr. for SSAATTBB by
A.O.A.) |
| 18 |
O Lord, How Manifold Are Thy Works for SATB |
| 19 |
O Paradise (Barnby, arr. for SATB by A.O.A.) |
| 20 |
O Sing Unto the Lord for SATB and Tenor solo; two
copies. |
| 21 |
O’er the Hills (Hopkinson, arr. for SATB by
A.O.A.) |
| 22 |
Oh, Dear! What Can the Matter Be? (English folksong, arr. for
SATB by A.O.A.) |
| 23 |
Old Folks at Home (Foster, arr. for SATB by
A.O.A.) |
| 24 |
Ole Zip Coon (traditional, arr. for SATB by
A.O.A.) |
| 25 |
One More Day (sea shanty, arr. for SATB by
A.O.A.) |
| 26 |
Out Arizona Way for SATB |
| 27 |
Over the Banister (American folksong, arr. for SATB by
A.O.A.) |
| 29 |
Penitential Psalm for SATB and Tenor solo |
| 30 |
Picnic Song (Davison/Rosecrans, arr. for SATB by
A.O.A.) |
| 31 |
Poor Working Girl, The (American folksong, arr. for SATB by
A.O.A.) |
| 32 |
Praise Ye Jehovah for SATB with High/Low solos |
| 33 |
Promised Land, The (traditional spiritual, arr. for SATB by
A.O.A.) |
| 34 |
Psalm 8 for SATB and solo; two copies. |
| 35 |
Psalm 23 (tune: Solomon, from the Scottish Psalter, arr. for
SATB by A.O.A.) |
| 36 |
Psalm 96 for SATB; two copies. |
| 37 |
Psalm 100 for SATB; two copies. |
| 38 |
Psalm 100 for SATB and Soprano solo |
| 39 |
Riddle Song, The (Appalachian folksong, arr. for SATB by
A.O.A.) |
| 40 |
Ride-Ride-Ride for SATB; ( 1949-50 A.O.A. |
| 41 |
Riding for SST and solo |
| 42 |
Sammy for SATB with optional instrumental parts; ( 1918
Western & Andersen, published by The Music Press,
Chicago. |
| 43 |
Sanctus in D Major for SATB |
| 44 |
Sanctus in G Major for SATB |
| 45 |
Saviour Make My Heart a Temple; In Time of War; Night; The
Transforming Presence for SATB |
| 46 |
Selected Compositions of Palestrina for SATB; collection of
works edited by A.O.A., ( 1940 Hall & McCreary Co.,
Chicago. |
| 47 |
Setting of the Office of Holy Communion in F Major for
SATB |
| 48 |
Setting of the Office of Holy Communion in G Major for
SATB |
| 49 |
Seven-fold Amen in A-flat Major for SATB |
| 50 |
Seven-fold Amen in F Major for SATB |
| 51 |
Seven-fold Amen in G Major for SATB |
Box 18
| 1 |
Shelter for SATB; two copies. |
| 2 |
Sister Lands for SATB; two copies. |
| 3 |
Six Responses to Be Sung after Prayers for SATB/SSA; two
copies. |
| 4 |
Soft-flowing River for SATB |
| 5 |
Solveig’s Song (Grieg, arr. for SATB by A.O.A.) |
| 6 |
Spring Grass for SATB; text by Carl Sandburg, two copies of
first setting and one copy of alternate setting. |
| 7 |
St. Francis’ Canticle of the Sun for SATB and soloists; three
complete scores, one vocal score. |
| 8 |
Stars of the Summer Night (Pease, arr. for SATB by
A.O.A.) |
| 9 |
Sun Hymn, A for SATB; three copies. |
| 10 |
Sunflower, The (Newcomb, arr. for SATB by A.O.A.) |
| 11 |
Tenting on the Old Campground (Kitteredge, arr. for SATB by
A.O.A.) |
| 12 |
There’s One That I Love (Kücken, arr. for SATB by
A.O.A.) |
| 13 |
Those Dainty Daffodillies [sic] (Morley, arr. for SATB by
A.O.A.) |
| 14 |
Three Choruses
- An meinem eichwald for TTBB; October 1906, Berlin.
- My Old Kentucky Home (Foster, arr. for SATB by A.O.A.)
- The Brook for SAATBB
|
| 16 |
Three Settings of the Forty-eighth Psalm for SATB |
| 18 |
Tribute of Silence, A for SATB |
| 19 |
’Twas Christmas Eve: A Narrative for SATB, Tenor solo, and
Organ |
| 20 |
Twelve Days of Christmas, The (English carol, arr. for SATB
by A.O.A.) |
| 21 |
Twickenham Ferry (Marzials, arr. for SATB by
A.O.A.) |
| 22 |
Two Roses (Werner, arr. for SATB by A.O.A.) |
| 23 |
Were You There? (traditional spiritual, arr. for SATB by
A.O.A.) |
| 24 |
When Darkness Falls for SATB; two copies. |
| 25 |
When I View the Mother for SATB |
| 26 |
Where Is Jesus Born? for SATB and Tenor/Soprano
solo |
| 27 |
With a Song (Tantum ergo) (Donizetti, arr. for SATB by
A.O.A.) |
| 28 |
With You So Near (Praetorious, arr. for SATB by
A.O.A.) |
| 29 |
Withhold Not Thy Tender Mercies for SATB and solo |
| 30 |
Wraggle-taggle Gypsies, O! (traditional folksong, arr. for
SATB by A.O.A.) |
| 31 |
Your Garden (Brahms, arr. for SATB by A.O.A.) |
| 32 |
Adeste fideles; The Spacious Firmament (arr. for TTBB by
A.O.A.) |
| 33 |
All Hail Arizona! (Monroe, arr. for TTBB by A.O.A.); two
copies. |
| 34 |
April Carol, An for TTBB |
| 35 |
Arizona Pep Song for TTBB |
| 36 |
Beautiful Dreamer (Foster, arr. for TTBB by
A.O.A.) |
| 37 |
Blessed America for TBB |
| 38 |
Cat-Bird, The for TTBB; one vocal score and one piano
score. |
| 39 |
Cherubim Song No.7 from the Russian Liturgy (Bortnyanzky,
arr. for TTBB by A.O.A.) |
| 40 |
Ciribiribin (Pestalozza, arr. for TTBB by A.O.A.) |
| 41 |
Down the Trail for Unison Men’s Chorus |
| 42 |
Fight! Wildcats! Fight! (University of Arizona ‘Fight Song’)
(Holsclaw, arr. for TTBB by A.O.A.) |
| 43 |
Flying Cadets for TTBB |
| 44 |
Four Lyrics for Male Voices: An April Carol; Summer; Indian
Summer; When Twilight Comes for TTBB; two copies. |
| 45 |
Green Broom (traditional English folksong, arr. for TBB by
A.O.A.) |
| 46 |
Heidenröslein for TTBB; O du fröliche for TTBB; To My Lady
Fair for SSAA; The Young Nun for SSAA; Die Capelle for
SSAA |
| 47 |
If You, My Love for TTBB |
| 48 |
Indian Summer for TTBB |
| 49 |
Jeanie with the Light Brown Hair (Foster, arr. for TTBB/SSA
by A.O.A.) |
| 50 |
Lady, Lady (from Arizona Hi-Ho) for TTBB |
| 51 |
Land of Sunlight for Unison Chorus and TBB |
| 52 |
Lord’s Prayer, The for TTBB |
Box 19
| 1 |
March Wind, The for TTBB |
| 3 |
Old Black Joe (Foster, arr. for TTBB/SSA by
A.O.A.) |
| 4 |
O Captain, My Captain for TTBB; text by Walt
Whitman. |
| 6 |
Out Arizona Way for TBB |
| 8 |
Seven Choruses; 1906
- O du fröliche for TTBB
- Die Nonne for SSAA
- Heidenröslein for TTBB
- Die Abendsonne for SATB
- Minnelied for SSAA
- Wenn ich ein Vöglenmär for TTBB/SATB
|
| 9 |
Sing, Men, Sing! for TBB; collection of songs arr. by A.O.A.,
( 1940 Hall & McCreary, Chicago. |
| 10 |
Sister Lands: A Song for Democracy for TTBB |
| 11 |
Soldiers’ Chorus (Gounod, arr. for TBB by A.O.A.) |
| 12 |
Song of the Cliff Dwellers, The for TTBB |
| 14 |
Twilight is Passing, The (Verdi, arr. for TB by
A.O.A.) |
| 15 |
University of Arizona Fighting Song; All Hail, Arizona!;
Fight! Wildcats! Fight! (arr. for TBB by A.O.A.) |
| 16 |
When Twilight Comes for TTBB |
| 17 |
Where’er You Walk (Handel, arr. for TTBB by A.O.A.); ( 1949
Clayton F. Summy Co., Chicago/NY. |
| 18 |
Ay, Ay, Ay (Creole folksong, arr. for SSA by A.O.A.); two
different versions. |
| 19 |
Ay Waukin’ O (Scottish tune, arr. for SSA by
A.O.A.) |
| 20 |
Blessed America for SSA and Unison; one copy
each. |
| 21 |
Bright Red Drum, The for Unison Chorus |
| 22 |
Brightly Dawns Our Wedding Day; La Graziosetta; I Love Thee;
A Winter Lullaby; You’ll Wander Far and Wide; Loch Lomond
(traditional arr. for SSA by A.O.A.) |
| 23 |
Brooms for Old Shoes; four-part round. |
| 24 |
Call Me Pet Names (arr. for SSA by A.O.A.) |
| 25 |
Casual Serenade, The (Brahms, arr. for SSA by
A.O.A.) |
| 26 |
Casual Serenade, The; Child Jesus in His Garden
(Brahms/Tschaikowsky, arr. for SSA by A.O.A.) |
| 28 |
Christmas Star, The for SA and Contralto solo; two
copies. |
| 29 |
Cielto Lindo (Mexican folksong, arr. for SSA by
A.O.A.) |
| 30 |
Ciribiribin (Pestalozza, arr. for SSAA by A.O.A.) |
| 31 |
De Blue-Tail Fly (minstrel song, arr. for SSA by
A.O.A.) |
| 32 |
Dreaming Child (Brahms, arr. for SSA by A.O.A.) |
| 33 |
El Rancho Grande (Mexican folksong, arr. for SSA by
A.O.A.) |
| 34 |
Fairies Play; Mocking for Two-part Chorus in
canon |
| 35 |
Finlandia (Sibelius, arr. for SSA by A.O.A.) |
| 36 |
Hallowe’en for Unison Chorus |
| 37 |
He Shall Feed His Flocks (from Messiah) (Handel, arr. for SSA
by A.O.A.) |
| 38 |
I Love Thee (Grieg, arr. for SSA by A.O.A.) |
| 39 |
In Heaven Above (Norwegian folksong, arr. for SSA by
A.O.A.) |
| 40 |
In Old Vienna (Viennese melody, arr. for SSA by
A.O.A.) |
| 41 |
In These Delightful, Pleasant Groves (Purcell, arr. for SSA
by A.O.A.) |
| 42 |
Indian Summer for SSAA |
| 43 |
Joy to the World (Handel, arr. for SSA by A.O.A.) |
| 44 |
La Cucaracha (Mexican folksong, arr. for SSA by
A.O.A.) |
| 45 |
La Spagnuola (Spanish folksong, arr. for SSA by
A.O.A.) |
| 47 |
Loch Lomond (Scotch air, arr. for SSA by A.O.A.) |
| 48 |
Long, Long Ago (Bayly, arr. for SSA by A.O.A.) |
| 49 |
Longing (Winther/Kjerulf, arr. for SSA by A.O.A.) |
| 50 |
Lord’s Prayer, The for SSA |
| 51 |
Mary Had a Billy Goat (American folksong, arr. for SSA by
A.O.A.) |
| 53 |
Mister Grimm and the Six Travelers for SA/Children’s Chorus,
soloists, and piano |
| 54 |
Monotone, The (Cornelius, arr. for SSA by A.O.A.) |
| 55 |
My Goddess Celia; New River Train (Monroe/traditional, arr.
for SSA by A.O.A.) |
| 56 |
Nature Music: Bizz-zizz-chirp for SA/Children’s Chorus; three
copies. |
| 57 |
Now Is the Month of Maying (Morley, arr. for SSAA by
A.O.A.) |
| 58 |
Number One Hot-Rod, The for SA/Children’s Chorus, solo, and
piano |
| 59 |
O Blessed Night! (Adam, arr. for SSA by A.O.A.) |
| 60 |
O Danny Boy (Old Irish Air, arr. for SSA by
A.O.A.) |
| 61 |
Orange Tree, The (French folksong, arr. for SSA by A.O.A.) |
Box 20
| 1 |
[21 pieces for SSA arranged by A.O.A.]
- The Turtle Dove
- The Airplane Trip
- Orange Tree, The
- Brightly Dawns Our Wedding Day
- Ay Waukin’ O
- Finlandia
- Cielto Lindo
- El Rancho Grande
- The New River Train
- Dreaming Child
- La Spagnuola
- In These Delightful Pleasant Groves
- The Monotone
- In Heaven Above
- I Love Thee
- You’ll Wander Far and Wide
- La Graziosetta
- A Winter Lullaby
- La Cucaracha
- The Cat-bird
- Bizz-zizz-chirp
|
| 2 |
Our Master Hath a Garden (traditional folksong, arr. for SSAA
by A.O.A.) |
| 3 |
Poor Working Girl, The (American folksong, arr. for SSA by
A.O.A.) |
| 4 |
Saddle Pack for Unison Chorus; three copies. |
| 5 |
Sing, Girls, Sing! for SSA; collection of songs arr. by
A.O.A., ( 1947 Hall & McCreary Co., Chicago. |
| 6 |
Sleep, Baby, Sleep; What Child Is This?; Passing By (arr. for
SSA by A.O.A.) |
| 7 |
Slumber, My Darling (Foster, arr. for SSA by
A.O.A.) |
| 8 |
So Sweet Is She (old English air, arr. for SSA by
A.O.A.) |
| 9 |
Song for Alpha Rho Tau, A for Unison Chorus |
| 10 |
Songs My Mother Taught Me (Dvorak, arr. for SSA by
A.O.A.) |
| 11 |
Spider and the Bee, The; See-Sawing; Let’s Go Dancing for
Three-parts in round; two copies. |
| 12 |
Summer Is A-Coming In; Have You Seen but a White Lily Grow;
The Knotting Stone (arr. for SSA by A.O.A.) |
| 13 |
Thanks for Listening for SSA; two differing
copies. |
| 14 |
Turtle-Dove, The (English folksong, arr. for SSA by
A.O.A.) |
| 15 |
Unto Thee, O God, Do We Give Thanks for SA; two
copies. |
| 16 |
When Darkness Falls for SSA |
| 17 |
When I View the Mother for SSA |
| 18 |
Winter Is Over for SSA; two copies. |
| 19 |
With Verdure Clad (Haydn, arr. for SSA by A.O.A.) |
| 20 |
Venetian Song; He Shall Feed His Flocks; Fair Exchange (arr.
for SSA by A.O.A.) |
Box 27
| 6 |
Manuscript (Choral) Music from Webster’s Dictionary for Mixed
Chorus Acappella by Scott Wilkinson, Nov. 1950. |
Vocal works
Box 20
| 21 |
Ave Maria for Soprano; full score. |
| 22 |
I’m A Betting Man; three copies full score. |
| 23 |
Love Came to Me in the Spring; full score. |
| 24 |
Made to Be Mine; three copies full score. |
| 25 |
Orange Blossoms; full score. |
| 26 |
Recessional for Medium Voice; full score, piano score, vocal
score, and optional choral score. |
| 27 |
Shame on You for Contralto; full score. |
| 28 |
7 Lieder: Frülingslied, Heidenröslein, In Maien, Kinderwacht,
Schlümmerleid, Der Fischer, Die heil’gen drei Kön’ge; dated
1905-06. |
| 29 |
Across the Vale for Medium Voice |
| 30 |
Alto Solo from Anthem ‘By the Waters of Babylon’ |
| 31 |
Arizona for Medium Voice |
| 32 |
Arizona, the Land of Light for Medium Voice |
| 33 |
As a Boy for Medium Voice (in folksong manner) |
| 34 |
At Your Lattice for Medium Voice; one incomplete copy,
September 22, 1917. |
| 35 |
Beauty Takes Brains for Contralto (in E-flat) and Medium
Voice (in G); one copy each. |
| 36 |
Big One, The for Medium Voice |
| 37 |
Bill, Mike, and Jack: A Small Town Ballad for Medium Voice;
copy of text included. |
Box 21
| 1 |
Birthday Song, A for High Voice (in A-flat) and Low Voice (in
F); one copy each. |
| 2 |
Blessing for High Voice (in G) and Medium Voice (in F); one
copy each. |
| 3 |
Blest is the Man for Medium-Low Voice |
| 5 |
Canary for Soprano or Tenor |
| 6 |
Cat-Bird, The for Medium Voice |
| 7 |
Children’s Songs: Whippoorwill; Lullaby; Lily; Goosey,
Goosey, Gander; Little Boy Blue |
| 8 |
Cloud and Star for High Voice |
| 9 |
Come On, Boy! (from Arizona Hi-Ho) for Baritone |
| 10 |
Coming Home for Medium Voice |
| 11 |
Consolation for Medium Voice; four copies. |
| 14 |
Discovered (dated February 2, 1920, Chicago); My Love Is Like
the Lily White; Forgiveness (dated December 1920); one collected
copy. |
| 15 |
Don’t Ask Me Why for High Voice (in G and A-flat); one copy
each. |
| 16 |
Door, The for Medium Voice |
| 17 |
Dough-Ray-Mee! for Medium Voice |
| 18 |
Early Morn for Medium Voice |
| 19 |
Endless Song, An for Medium Voice |
| 20 |
Everybody Knows; O Holy Friend; The Candle in the Window;
Patter-patter; Baloo; Merrily, Ring the Bells; one collected
copy. |
| 21 |
Farmer Brown for Medium Voice |
| 22 |
Fig-Leaf, The for Medium Voice |
| 23 |
Five Fanciful Songs: A Child’s Prayer; On Taking a Wife; The
Kilkenny Cats; The Face; Gifts; one collected copy. |
| 24 |
Flower, A for Soprano or Tenor |
| 25 |
Flying Cadets: Song for the Aviation Cadets of
America |
| 26 |
Four Carl Sandburg Songs: Upstairs; Loin Cloth; In Tall
Grass; Sixteen Months; one collected copy, February
1921. |
| 27 |
Four Sacred Songs: Save Me, O God!; Preserve Me, O God; The
Lord Is My Shepherd; Spirit Divine; one collected copy. |
| 28 |
Gossip for Medium Voice |
| 29 |
Grandma’s Damask Table-Spread for Medium Voice; two differing
settings. |
| 30 |
Guys; What’s the Score; one collected copy. |
| 31 |
Hasta Mañana for Medium Voice |
| 32 |
Heart Is Young, The for High Voice |
| 33 |
High Flight for High Voice |
| 34 |
Hushing Song for Medium Voice |
| 36 |
If You, My Love for Soprano (in E-flat) and Medium Voice (in
C); one copy each. |
| 37 |
I’m a Betting Man for Bass; two copies. |
| 38 |
I’m a Lucky Guy for Medium Voice |
| 39 |
I’m Just Expecting for Medium Voice |
| 40 |
In Tall Grass for Medium Voice; four copies. |
| 41 |
In the Army for Medium Voice |
| 42 |
In the Silence of the Night for High Voice |
| 43 |
Innkeeper of Bethlehem, The for Medium Voice |
| 44 |
Kleine Erkenntnis; April 14, 1917. |
| 45 |
Laugh for Medium Voice (in C and D-flat); one copy
each. |
| 46 |
Let Not Your Heart Be Troubled; two copies. |
| 47 |
Letter to a Sweetmeat for Medium Voice |
| 48 |
Lieder, Band I: Frülingslied; Heidenröslein; In Maien,
Kinderwacht, Schlümmerleid; Der Fischer, Die heil’gen, drei Kön’ge;
one hardbound collected copy, May 1906. |
Box 22
| 1 |
Lieder, Band II: Sommerstrophe; In nerschwiegener Nacht;
Trübe Antwort; Ave Maria; Die Wallfahrt nach Kevlaar; one hardbound
collected copy, June 1907. |
| 2 |
Lieder, Band III: Marching Song; The Cow; The Swing: Bed in
Summer; Farewell to the Farm, Sleepy Head, Windy Nights; one
hardbound collected copy, 1907. |
| 3 |
Life’s Garden for Low Voice |
| 4 |
Lord’s Prayer, The for Medium High (in F) and Medium Low (in
E-flat); one copy each. |
| 5 |
Love Came Like a Shining Sword for High Voice (in B-flat and
A-flat); one copy each. |
| 6 |
Love Came to Me in the Spring; dated 1951. |
| 7 |
Mary; ( 1910 A.O.A., published Music Art Shop,
Chicago. |
| 8 |
Mary at the Tomb of Jesus for High Voice |
| 9 |
May Time (In Maien); ( 1908 Clayton F. Summy Co., two
published copies and one manuscript copy. |
| 10 |
Mine for Medium High (in F) and Medium Low (in D); one copy
each. |
| 11 |
Morgen’s steh ich auf; To a Blind Babe Sleeping; Tout Deuse;
Berceuse; Tavern Song; The Hills and Forests; O Mother Mine; Thou
Art So Like a Flower; Venetianische Lieder; one hardbound collected
copy. |
| 12 |
New Year’s Day for Medium Voice; inscribed for Helen,
1957). |
| 13 |
North Wind, The; The Dance of the Fairies; collected
copy. |
| 14 |
Now Is Sweet Phoebe for Medium Voice |
| 15 |
Number, Please! for Medium Voice; two different
versions. |
| 16 |
O Mother Mine; Thou Art So Like a Flower; no ( information,
published by Pfister, Paris. |
| 17 |
Oh Let Me Speak for Low Voice; two copies. |
| 18 |
One, Two, Three (from ‘The Devil’s Jazz Symphony’) for
Soprano and unison Men’s Chorus; two copies. |
| 19 |
Only a Day for High Voice |
| 20 |
Orange Blossoms (from Arizona Hi-Ho) for Soprano |
| 21 |
Peacock, The for Medium High Voice |
| 23 |
Poor Me; dated October 9, 1917, Chicago. |
| 24 |
Proximity for Medium Voice; two copies. |
| 25 |
Rain-Rain for Medium Voice |
| 26 |
Recessional for Medium Voice |
| 27 |
Roses; (1908 Clayton F. Summy Co., ( renewed 1936
A.O.A. |
| 28 |
Sammy: Marching Song; ( 1918 Western/Andersen, published by
The Music Press, Chicago. |
| 29 |
Shame on You recit. and aria for Contralto; piano part
only. |
| 30 |
Silent Hills, The for Medium Voice; three copies. |
| 31 |
Sister Lands: A Song for Democracy; in D and D-flat, one copy
each. |
| 32 |
Six Songs from ‘A Child’s Garden of Verses’ (R.L.
Stevenson)
- Time to Rise
- Farewell to the Farm
- Bed in Summer
- 1913.
- Windy Nights
- Marching Song
|
Box 23
| 1 |
Sixteen Months for Medium Voice; three copies. |
| 2 |
Sleepy Head; ( 1918 A.O.A., published by The Music
Press. |
| 3 |
Slow and Easy for Low Voice (in F and D-flat); one copy
each. |
| 4 |
Slumber Song, A (Kinderwacht); ( 1909 The WaWan Press, Newton
Center, Mass. |
| 5 |
Snow in Arizona for Medium Voice |
| 6 |
So Long for High Voice; four copies. |
| 7 |
Spring and You; Spring Song (Frülingslied) ( 1917 Clayton F.
Summy Co., Chicago. |
| 8 |
Stutter, Mutter for Medium Voice |
| 9 |
Sunset at Tuscon; in F, G, and A-flat; one copy
each. |
| 10 |
Thank You; Did a Little Deeper; Good for Nothing; We Dug a
Little Deeper; one collected copy. |
| 11 |
Three Songs: Ave Maria, In Maien, Sommerstrophe; dated
1906. |
| 12 |
’Tis Neighborly for Contralto |
| 13 |
’Tis Uncle Sam for Medium Voice; two copies. |
| 14 |
To Scottsdale for Medium Voice |
| 15 |
Tribute of Silence: Armistice Day for Medium
Voice |
| 16 |
Two Sacred Songs: Psalm 100—Make A Joyful Noise unto the
Lord; I Will Lift up Mine Eyes for High Voice; one collected copy,
dated November 5, 1916. |
| 17 |
Two Women a Song Narrative for Medium Voice; two
copies. |
| 18 |
University of Arizona Alumni Song; in A-flat and F, one copy
each. |
| 19 |
Upstairs for Medium Voice; two copies. |
| 20 |
[Seven songs by A.O.A.]
- Ich und du (Soprano/Baritone duet, April 1908)
- The Wattean Shepherdess
- My Lady of May
- Mary (1910 A.O.A.)
- Ein Wort der Liebe (Soprano/Tenor duet, April 1908)
- And All the World Knows: A Comic Song
- The Golden Pathway (July 27, 1909) New Year
|
| 21 |
When Darkness Falls for Medium High Voice |
| 22 |
Where Sunshine Gleams for Medium High Voice; two
copies. |
| 23 |
With You Away for Medium Voice |
| 24 |
With You, My Friend for Medium Low Voice; two
copies. |
| 26 |
Double Cross, The (from Out Arizona Way) |
| 27 |
Epilogue: The Birthmark Trio for Soprano, Tenor, and
Baritone |
| 28 |
Evening at Vallambrosa Duet for Soprano and alto; three
copies. |
| 29 |
Hope and Love Duet for High and Medium Voice |
| 30 |
There Is Ever a Song Duet for High and Low Voice; three
copies. |
| 31 |
Waiting Duet for Soprano and Tenor |
Incomplete works
Box 23
| 32 |
Music Theory Chord Charts |
| 33 |
Untitled and Incomplete Works |
Pencil manuscripts
Box 28
| 1 |
- Original Pencil Manuscript Books
- Suite for Violin and Piano
- Children’s Piano Pieces
- Concerto for Piano
|
| 2 |
Original Pencil Manuscript Writing Tablets |
| 3 |
Original Pencil Manuscripts (Titled and Untitled) |
| 4 |
Original Pencil Manuscripts (Titled and Untitled) |
| 5 |
Original Pencil Manuscripts (Titled and Untitled) |
| 6 |
Original Pencil Manuscripts (Titled and Untitled) |
| 7 |
Original Pencil Manuscripts (Titled and Untitled) |
| 8 |
Original Pencil Manuscripts (Titled and Untitled) |
| 9 |
Original Pencil Manuscripts (Titled and Untitled) |
| 10 |
Original Pencil Manuscripts (Titled and Untitled) |
| 11 |
Original Pencil Manuscripts (Titled and Untitled) |
Writings
Musical history and theory texts
Box 25
| 1 |
Essentials of Musical Form, Volume 1 |
| 2 |
Essentials of Musical Form, Volume 2 |
| 3 |
Essentials of Musical Form, Complete pp.1-103 |
| 4 |
Essentials of Musical Form, Complete pp.104-209 |
| 5 |
Essentials of Musical Form, publisher’s
galley/proof |
| 6 |
Essentials of Musical Form, early drafts |
| 7 |
Essentials of Musical Form, early drafts (cont’d) |
| 8 |
Essentials of Musical Form, bound copy with musical
examples |
| 9 |
Historical Traceries in Music, pp.1-100 |
| 10 |
Historical Traceries in Music, pp.101-index |
| 11 |
Laurel Correspondence Course in Harmony, Lessons
1-40 |
| 12 |
Laurel Correspondence Course in Harmony, Lessons
41-80 |
| 13 |
Laurel Correspondence Course in Harmony, Answers
pp.1-158 |
| 14 |
Laurel Correspondence Course in Harmony, Answers
pp.159-315 |
| 15 |
Lessons in Harmony
- The Second Forty Lessons in Harmony (1923)
- The First Forty Lessons in Harmony (revised) (1923, 1948
revision)
- The Second Forty Lessons in Harmony (1923, 1946
edition)
- Lessons in Harmony, Book 3: Modern Resources (1938)
|
| 16 |
Practical Orchestration (1929, 1936 edition (C.C. Birchard
& Co., Boston) |
| 17 |
Short Lessons in Musical Theory
- Teacher’s Manual for Books One and Two (1926)
- Short Lessons in Musical Theory, Book Two (1926, second
printing)
- Short Lessons in Musical Theory, Book One (1926, third
printing)
|
| 18 |
Strict and Free Counterpoint (1931 C.C. Birchard & Co.,
Boston) |
| 19 |
[untitled] basic music theory text |
Essays and articles
Box 25
| 20 |
- Arranging Music for Your School Band
- Arranging Music for the School Band
|
| 21 |
Crisis in the Music Teaching Profession (three typed drafts,
one pencil draft) |
| 22 |
- Introduction of Original Work in Theory in the Secondary
Schools and Junior
- Educator’s View of a Music Teacher, The
- Harmony in the High Schools (one typed draft, one pencil
draft)
- Doings in the School of Fine Arts (1935)
- Does Your child Want to Study Music?
- Colleges (one typed draft, one pencil draft)
|
| 23 |
- Musical Tendencies in the Technique of Teaching Theory in
Secondary Schools
- Maintaining the Spirit of Competition in School Music
- Lecture to the Tucson High School, May 9, 1939
- Musical Opportunities in Arizona (one pencil draft
only)
- Music as a Solid in the High School
- Musical Education by Correspondence
- and Colleges, or, Going Native (one typed draft, one pencil
draft)
|
| 24 |
- Paper to Be Read at a Workshop Meeting for High School and
College Teachers at
- Standardization in School Music Teachers
- 1938-1939, A (one typed draft, one pencil draft)
- Report of a Survey of the Teaching of Music in the Public
Schools of Arizona,
- Policy Outline
- Piano Class Methods in the Curriculum
- Peering into the Future (two typed drafts)
- Phoenix on November 7, 1947, A (pencil draft only)
- Word of Welcome to the Arizona State Music Teachers
Association, A
|
| 25 |
Big Six Classicists, The (three typed drafts, one pencil
draft) |
| 26 |
- Émigré Musicians, The
- Dodecaphony School, The
- Early Music in Arizona (pencil draft only)
- Collection of Arizona Folk-Music, The (one typed draft, one
pencil draft)
|
| 27 |
- Geography and Rhythm (one typed draft, one pencil
draft)
- Music After the War
|
| 28 |
Music Up to the Seventeenth Century (one typed draft, one
pencil draft) |
| 29 |
Psychology of Tonal Vibrations (one typed draft, one pencil
draft) |
| 30 |
- How to Analyze Piano Music
- Keyboard Harmony Course (one typed draft, one pencil
draft)
|
| 31 |
- Variations in Chordal and Melodic Progressions
- Music in Relation to Mathematics
- Let’s Talk About Modern Harmony (one typed draft, one pencil
draft)
|
| 32 |
- How the Composer Works (one typed draft, one pencil
draft)
- How to Write an Opera without Being a Composer
- Bit About Singing from the Composer’s Angle, A
- Is Composition Instinctive? (one typed draft, one pencil
draft)
|
| 33 |
- Prize Composition Racket, The
- Modern Trend in Music Composition (two typed drafts)
- Music and the Publisher
|
| 34 |
- Manuscript Music Paper
- Movie Moods and Radio (pencil draft only)
- Debarring Axis Music
- Church Music (one typed draft, one pencil draft)
- Are Musicians Eccentric?
- Music Business, The (pencil draft only)
- Flute (pencil draft only)
|
| 35 |
- Singer and the Orchestra, The
- Musical Appreciation
- Music in Church
- Music Dictionaries
- Producing an Operetta
- What Is Modern Music? (one typed draft, one pencil
draft)
- Three Pre-Requisites to Becoming a Musician
|
| 36 |
- Why So Impatient?
- Why Is Music? (typed/pencil hybrid draft)
- Why Not Be Musically Patriotic? (one typed draft, one pencil
draft)
- Young Ears and Old Ears
|
Box 26
| 1 |
- Art of Today (two typed drafts, one pencil draft)
- Americanism in Art (pencil copy only)
- Art in the Future
|
| 2 |
- Chicago North Shore, The
- Average Man, The
- draft)
- Stamp Clubs and Stamps (one typed draft, one pencil
draft)
- General Observations and Comments on Philately (one typed
draft, one pencil
- Necessity of Culture in All Walks of Life, The (one typed
draft, one pencil draft)
|
Fiction
Box 26
| 3 |
- Mr. Stubbs Stubs His Toe
- Cathay Wanted a Baby
- Aloysius Wins Out
|
| 4 |
- Photograph, The
- Secret, The
- Taming of Maria, The
- Tree of Enchantment, The
|
| 5 |
- Bit of Kleptomania, A
- Bit of Money, A (revision of A Bit of Kleptomania)
|
| 6 |
- Conflict (Arthur and Helen Andersen, Rollin Pease)
- Card Are on the Table, The (Arthur and Helen Andersen, Rollin
Pease)
|
| 7 |
- Kentucky
- Frivolous Wife, The (Arthur and Helen Andersen, Rollin
Pease)
- Devil’s Jazz Symphony, The (Arthur and Helen Andersen, Rollin
Pease)
|
| 8 |
Adventures of Mr. Sylvester Monk (Arthur and Helen Andersen)
(illustrations included) |
| 9 |
Esriel Poopnickle pencil draft pp.1-49 |
| 10 |
Esriel Poopnickle pencil draft pp.49-136 |
| 11 |
Louie typed draft pp.1-100 |
| 12 |
Louie typed draft pp.101-196 |
| 13 |
Louie bound draft with notes |
| 14 |
- Kino, rough outline
- General Rides By, The, play synopsis
- Bill, Mike, and Jack
- Sue Chee, a Chinese ballet (one typed draft, one pencil
draft)
|
Personal papers
Box 26
| 19 |
Address book and business cards |
| 21 |
Concert Programs, 1934-1959
- The Saturday Morning Musical Club, 1948 (Jan. 23)
- Newport’s Own Tunes and Talent, Sacred Music, 1959 (Nov.
8)
- The Arizona State College Symphony Orchestra, 1952 (Mar
14)
- The Modernist in Church Music, 1934 (Nov. 4)
- Civic Concert in Honor of Tuscon Composers, 1948 (Mar.
2)
- The Tuscon Symphony Orchestra, 1948 (Mar. 14)
- Elenor Altman in a Recital of Music by Frederic Chopin, 1948
(Mar. 15)
- Compositions by Arthur Olaf Andersen, 1949 (Jan. 26)
- Tuscon Region of Arizona Composers in Civic Concert, 1951
(May 15)
- An Evening with the Andersens, 1955 (Feb. 20)
- Society of Arizona Composers (two drafts), undated
- Arizona State College Symphony Orchestra, undated
- The Premiere Production of Arizona Hi-Ho, 1950 (May
12-13)
- Morning Worship at Trinity Presbyterian in Tuscon, Az., 1953
(Feb. 8)
|
| 23 |
Book publishers, 1949-1951 |
| 24 |
Carl Fisher, Inc., 1941-1951 |
| 25 |
Clayton F. Summy Co., 1940-1951 |
| 26 |
Edward Bros., 1948-1950 |
| 29 |
Hall & McCreary, 1940-1943 |
| 30 |
Hall & McCreary, 1946-1954 |
| 31 |
McKinley Publishers, 1945-1950 |
| 32 |
Miscellaneous correspondence, 1936-1942 |
| 33 |
Miscellaneous correspondence, 1943-1948 |
| 34 |
Miscellaneous correspondence, 1949-1950 |
| 35 |
Miscellaneous correspondence, 1951-1958 |
| 36 |
Miscellaneous correspondence, undated |
| 37 |
Music publishers, 1941-1951 |
| 38 |
Music Publishers Holding Corp., 1938-1949 |
| 39 |
Periodicals, 1940-1951 |
| 40 |
Pallma, Frank (Music Products Corp.), 1938-1949 |
| 41 |
Pfeiffer, C. Leonard, 1942-1943 |
| 42 |
Stevens, Thomas Wood and Helen, 1941-1943 |
| 43 |
Family Members Memorabilia |
| 44 |
Memoirs and Biographies |
| 45 |
Memoirs and Biographies |
| 46 |
Newspaper Clippings, 1942-1951 |
| 47 |
Photographs – Arthur Olaf Andersen (Formal) |
| 48 |
Photographs – Arthur Olaf Andersen (Informal) |
| 49 |
Photographs – Helen Somerville Andersen |
| 51 |
Photographs – Glass Neg and Print (Child) |
| 52 |
Published Music: Melodious Strings and First Steps in String
Ensembles, plus ad posters |
| 53 |
Receipts and Royalties, 1939-1947 |
| 54 |
Receipts and Royalties, 1948-1956 |
| 55 |
Receipts and Royalties – Catalogs |
| 56 |
Work Lists of Compositions by A. O. Andersen. |
| 57 |
Work Lists of Compositions by A. O. Andersen |
| 58 |
Work Lists of Compositions by A. O. Andersen |
| 59 |
Work Lists of Compositions by A. O. Andersen |
| 60 |
University of Arizona—Art Collection |
| 61 |
University of Arizona—Degree Requirements |
| 62 |
University of Arizona—Faculty Minutes |
| 63 |
University of Arizona—Folklore Committee |
| 64 |
University of Arizona—Memos and Correspondence |
| 65 |
University of Arizona—Miscellaneous |
| 66 |
University of Arizona—Musical Associations |
| 67 |
University of Arizona—Other Universities |
| 68 |
University of Arizona—Promotional Sketches |
| 69 |
University of Arizona—Reports and Speeches |
Box 27
| 1 |
- Tintype of Aunt Desdemona by Helen Andersen
- Starlit Desert by A. O. Andersen
- Phono Discs (5)
|
Works of Helen Sommerville Andersen and others
Box 24
| 1 |
Andantino in G for Cello and Piano; score and part. |
| 2 |
Bagatelle for Cello and Piano; score and part. |
| 3 |
Fancy, A for Harp and Cello; parts. |
| 4 |
Indian Summer for Harp and Cello; parts. |
| 5 |
Little Circumstance, A for Cello and Piano; cello part
only. |
| 6 |
Melody in E-flat, A for Cello and Piano; score and
part. |
| 7 |
Quartet in G Major for Strings; score and parts. |
| 8 |
Quartet for Strings in A Major; score only. |
| 10 |
Children’s Christmas Suite: Santa’s Arrival; The Children’s
Christmas; The Noble Christmas Bird; All Tucked Away, Dreaming for
Piano |
| 11 |
Chromatic Prelude for Piano; ( 1948 A.O.A. |
| 12 |
Clowns, The for Piano; ( 1948 A.O.A. |
| 13 |
Circus Day for Piano; ( 1948 A.O.A. |
| 14 |
Early Eve for Piano; ( 1948 A.O.A., two copies. |
| 15 |
Early Morn for Piano; ( 1948 A.O.A., two copies. |
| 17 |
First Snowfall, The for Piano |
| 18 |
Prelude 1952: To Arthur; To Helen for Piano; one copy, includes a
piece composed by both Helen and her husband, Arthur. |
| 19 |
Serenity for Piano; two copies. |
| 21 |
Concerto in C Major for Cello; third movement only, cello part
only. |
| 23 |
No Gas song for Medium Voice |
| 24 |
Over Breakfast Coffee for SATB choir |
| 25 |
To Scottsdale song for Medium Voice |
Box 27
| 2 |
Phono Disc—Music by Robert Baksa, Andrew Buchhauser, David
Murdock, Robert McBride, Ulysses Kay, Henry Johnson, Joseph Rottura and
others |
| 3 |
Sheetmusic – There’s A Long Long Trail written by Stoddard King,
composed by Zo Elliott. |
| 4 |
Sheetmusic – All Hail, Arizona Alma Mater Song of Univ. of Ariz.,
words by E. C. Monroe, ’17, music by Dorothy H. Monroe, ’20. |
| 5 |
Sheetmusic – I Naviganti (The Mariners) Terzettina for Mezzo
Soprano, Tenor and Bass, by A. Randegger. |